LINDA HOFFMAN
Bags of Fertilizer
I wonder how many bags of fertilizer are spread on a single field to grow corn. In the United States alone we grow corn on 90 million acres. How many 50-pound bags of synthetic fertilizers are emptied out and fed to the soil?
I’m obsessed with this thinking, it’s formed a loop in my mind, like a morning dream that repeats over and over. And while one detail changes, nothing significant enough shifts to allow an escape. The parking ticket can’t be found, the man is still in the bar drinking, how to get out of the parking lot and to safety.
After World War II ended, the companies who made nerve gas and poisons reprogrammed their products, calling them fertilizers. Then, they persuasively changed the way of farming all over the world, poisoning the earth instead of the enemy, while in the long term, harming both humans, insects, and soil. How did we arrive at this idea that we need to manufacture synthetic materials to help the earth grow plants? The microorganisms in the soil are all part of a complex soil web: the bacteria, the fungal populations, the earthworms, the nematodes, the mycelia are the real farmers.
Sketchbook page, Julia Tricca
In Beirut this week, thousands of tons of fertilizer exploded and took the lives of 150 people, injured thousands, destroying the homes of hundreds of thousands of others. A country that was already suffering from oppression, injustice, war and corruption is in chaos. Bags of fertilizer, or shall I say explosives, from Batumi, Georgia destined for Mozambique, one of the ten poorest countries on the planet, has shaken this country to its core.
Fertilizer bags are usually cheap paper just thick enough to hold the weight. But if they lay around and attract moisture, the paper decays, the bags leak, and moving them becomes a huge mess. Hazardous waste. Human trash needing to be gotten rid of. We’re good at manufacturing materials that harm the planet, that have a long shelf life, that don’t disappear even after hundreds of years.
We are caught in a loop of our own creation. How are we going to get out of our destructive cycle? Surely the farmers in Mozambique know how to grow food naturally. Buying expensive synthetic fertilizers is not going to solve their country’s many problems. It’s not solving the problems in our country. For example, in Kansas, where 90 percent of the state is agricultural land, one in five people go hungry. Kansas isn’t growing food, it grows feed for cattle, ethanol for fuel, and high fructose corn syrup, while a large percent of its population starves.
We have to envision a new model. We have to collectively re-envision the world we want to pass on to the unborn. We live on the planet, we need to eat food grown in its soil, and drink water from its underground rivers. Here is where we need to begin.
We need to believe that nature works and there is a natural way to live in accord with nature. The system is designed to work. We need to trust. And we need to make changes. Almost 70% of agricultural land on the earth is used to grow feed for animals we eat. And this meat provides a much smaller percent of calories to the world’s population than plant-based crops. If we are to provide food for the growing number of people on the planet, farming needs to be a journey in which we relate to the land and all its creatures.
Sketchbook page, Julia Tricca
The good news is that a United Nations report in 2014 stated that 80% of the world’s food is still produced by family farms. The future is not in industrial agriculture, but in intelligent small-scale farming. I heard a surprising statistic while listening to a podcast between John Kempf and Zach Bush, two modern agronomists—70% of our food comes from farms that are five acres or less. This statistic gives me hope. But for the people suffering in Lebanon, an outpouring of aid is what is needed. A few of the organizations you can donate to are:
The United Nation’s World Food Program
Unicef
Impact Lebanon
Project Hope
And remember to support your local farms!
Sketchbook page, Julia Tricca
Note: Artist Julia Tricca was a farmer at Old Frog Pond Farm during her high school and two college summers. She graduated this spring and shared her final art project with me. Julia will be installing a new sculpture at the farm this fall. We’re all proud of you, Julia!
Weeds and Other Gifts
A Small Piece of Land, Watercolor LH, 2020
“The greatest fine art of the future will be the making of a comfortable living from a small piece of land.” —Abraham Lincoln
When I am anxious or out of balance, which is often these days, I turn to weeding. I can always find weeds on the farm. The weeds are tenacious; they want to grow. One definition of a weed is a plant growing in the wrong place. We have lots of plants growing in the wrong places. Most of them need to be dug up. On the farm ‘to do’ list, weeding sits in almost every category: blueberries, raspberries, rhubarb, asparagus, around the apples, pears, and peach trees, the hoop house, and the kitchen garden.
Sitting on the ground, along the rows of blueberries, as if at a banquet table, each of us brings our favorite utensil. Ariel’s preference is the triangular Korean hoe, Holly prefers a claw, and I use a pink-handled small trowel.
Holly weeding young blueberry bushes on a cold and windy day.
We yank, we pull, we dig, leveraging our tools into thick mats of grasses, and tug some more. Grass clumps lift out—these get a hearty shake sending the worms and the soil attached to the roots back into the row, while whatever is left finds new life in the compost pile.
Frederic G. Cooper, 1917, U.S. Food Administration
My mind is occupied by thoughts of farms and food. The largest apple grower in our town depends on two migrant workers, but he has yet to hear from the embassy about their arrival. The commercial vegetable market in California doesn’t know how they will manage not only because of their dependence on migrant workers, but the chain of supply, the connective system, the trucks, the transport, the weigh stations, the middle places where all the packaging happens, are facing their own challenges. Farmers in Florida are plowing under vegetables, and in the Midwest, dairies are dumping fresh milk, though stores limit the amount customers can buy. Small farms feel the pressure, too. The restaurant that bought fifty pounds of greens a week is now closed, and many farmer’s markets have been canceled.
Abraham Lincoln promoted the cultivation of land after the bloodshed of the Civil War. During and at the end of World War II, the American Victory Garden movement created sustainability and health. England had their own movement, Dig for Victory. Maybe the restoration of the world’s psyche after times of great suffering was in part due to the return of our connection to the soil, to food. Maybe, it is a time to build more resiliency into our communities. Food is basic to our needs along with water, clean air, and shelter. We need to return to the basics and provide this for all people on the planet. Let’s give up fighting for causes and beliefs that only divide us. Let’s rally around what truly supports us.
I think about these things, and obviously oversimplify them, while I grab a small clump of grass, and ease out its long root system, pure white and thick, from among the blueberry’s dark, thin roots. Pull too hard and the root snaps. Only by teasing gently but firmly, can I coax out a foot-length root, with grass nodules every few inches, to release its hold. Of course, some weeds will quickly regrow, we don’t get them all, but if we don’t weed, the mass of growth under the blueberry plants will rob the bushes of nutrients. We weed in order to ease the competition for resources, to encourage a bountiful crop.
Weeding is not glamorous work and It doesn’t save lives, but it offers a connection to something trustworthy that helps keep me balanced. I know not everyone has access to weeds, but even in a city, we can break for a moment, see a bit of earth or touch a tree, and know this is all part of us. Amid slicing an apple, or washing salad greens, we can pause within our anxiety, and connect to this gift from the earth, the ground that sustains us.
This morning’s surprise: blown by the wind from a pile of old materials outside my studio.
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A Dream for the New Year
I went to sleep not having written a blog and this dream woke me . . .
I was in a room and it was time. My mind was clear and present. I agreed to have the injection that would end my life. But when a tall man with a black suit and white shirt arrived with a syringe ready to plunge the needle through my skin, I freaked. “No! No, no!” I shouted as I pulled away. He was determined and latched on, but I was thrashing wildly and ripped free of his grip. I would not give in easily, I wanted to live.
With every particle of my being, I fought back. Then I said, “Please, if I am to die now, I must tell my Zen teacher and community.” He agreed to let me go make a phone call if afterwards I would return for the needle.
I ran out of the room, ran as far and as fast I could. I was on the lam. Up and over bridges, staircases, down alleys, and across lonely boulevards. In an area with small shops I saw some boxes of biscuits and thought of snatching one, but resisted.
Then I saw my daughter. I called, “Ariel!” and again, “Ariel, come with me, please!”
She came over, I grabbed her hand, and we sprinted until we arrived on a grassy plateau. I was about to tell her what was happening when the tall man with the black suit and white shirt arrived waving the syringe. He grabbed my arm and said, “You will not escape me, now!” He jerked my right hand towards his body to plunge the needle into my wrist. He injected the fluid with great glee and strode away. But I had seen the needle catch on my sweater’s knitted cuff, the poison had not entered my body.
I had outsmarted death. I didn’t know how many more times I would be able to avoid him, but I secretly hoped for nine lives like a cat — and that when the ninth time came — I would be ready. I want no regrets, I want to go with grace.
You might wonder why such a strong dream at this turning of the year. A few days ago, I had breakfast with a friend who lost her partner to a re-occurrence of breast cancer. I have a friend struggling with depression, another paralyzed by the political turmoil in the world, and another beside herself with grief because of the destruction of the natural world. Many of us carry serious fear, and even terror.
Confucius told his followers, 'Bring peace to the old, have trust in your friends, and cherish the young.' And he lived during turbulent times. The message I received in my dream is to live life to the fullest. I am grateful for my Zen Mountain Monastery community who helped me survive in my dream as they have through difficult times. I am grateful for my daughter who brought her angelic presence to the dream as she so often does in daily life.
Ariel and I on a Hike, Selfie, 2016
Dreams have a lot to offer us. I tried to go deeper into sensing this ‘being alive’. I felt each thing awake — the singular blade of grass, the snowflake, the pink salmon. We shape the world with what we do, what we see, and what we think. Mind is what I cherish because it connects us all — each person born and unborn — each tree and star. And just maybe, the poison to my body had no effect because it will never have power over mind.
I wish you happiness and well-being in the coming year!
May you receive and offer gifts of kindness, generosity, and creativity.
Many Hands Blessing Earth
Happy New Year 2018
Cutting Off a Leg
I started writing a follow-up to the blog, All about Art, from two weeks ago in which I unintentionally wrote about six women artists and did not mention one man. I thought about the fact that this would never happen in an issue of ARTnews or Art Forum, despite the work of the Guerilla Girls, a nonprofit organization that since the early 1980s has been raising awareness of the lack of equal representation of women artists in major art museums and galleries. Then I proceeded to write about some of the male artists exhibiting at Old Frog Pond Farm this fall.
Where I Get My Water, Ray Ciemny
Ray's piece is a commentary on the scarcity of clean water for many people on our planet. Made of scrap steel and rubble, the girders were salvaged from the old Fitch’s Bridge above the Nashua River in Groton, MA.
Then I changed my mind, because it is the opening of apple picking and I felt I should write about the beautiful diversity of apples ripening in the orchard.
Then I had a dream where I had to cut off the lower half of my leg.
Cutting off one’s leg is a major life altering event. In my dream, I wasn’t upset about it, but was calmly trying to decide when would be the right time to do it. I wasn’t considering the challenges or the healing or the rehabilitation—it was a dream after all, a symbol.
Losing a leg in a dream is fairly easy to analyze. Our legs are what we stand on, what supports us, and having two legs gives us balance. To dream that I was about to cut off a significant part of one leg seems to indicate that something in my life is out of balance. Or is it a way to take control of what is out of control? Or, maybe, I saw myself as split in two, two legs, and was trying to become one. I agree, there are other, better ways to make myself whole, but my unconscious did find the imagery to express itself and get my attention.
When I wake up with an image from a dream that is very clear, I like to contemplate and write about it. This cut off my leg dream was giving me a clear signal of the need for radical change, though what exactly it refers to remains opaque.
I could be anticipating the craziness of harvest time. Yellow, red, green, scarlet, and striped fruit orbs weigh down the flexible apple branches. There is an abundance of ripe fruit out in the orchard, but there is an angst that comes with it. Apple-picking time is when both my husband, Blase, and I feel like we have absolutely no control over any moment of our lives. We interact with hundreds and hundreds of people, through emails, phone calls, and complete strangers knocking at the back door. You might call it the downside of success, and sometimes it feels overwhelming.
It’s also possible that I was disturbed by Freedom Baird’s haunting sculptural installation, Graft. She has used the cavity from a once twin-trunked oak tree and created a prosthesis of sorts.
Graft, Freedom Baird Photo:Robert Hesse
Freedom Baird writes,
Like so many I’m preoccupied with environmental stewardship (this preoccupation has ratcheted up to acidic alarm under a Trump administration). Recently I’ve been experimenting with ways to catalyze a reconsideration of humans’ relationship to the “natural” world. Specifically, I’ve been inventing objects that push against the construct that man and nature are separate. Projects have included synthesizing plastic utensils from food, grafting milled lumber onto a living tree, designing prosthetic limbs for amputated trees. . .
I’ve been horrified by recent government proposals to cut back the boundaries of protected land. Specifically, the acreage around the Bears Hill National Monument in Utah that President Obama protected honoring the request of tribal nations before he left office. It’s enough to make anyone who cares about our environment feel out of control.
But the truth is the next seven weeks are much too busy for me to spend time thinking about other places and possibilities. Dream or no dream, I need to focus on what is right in front of me. I need to have two feet firmly on the ground.
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2025
- May 9, 2025 A View from the Tractor Seat
- Apr 11, 2025 Dig
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2024
- Jan 7, 2024 Winter Wassail
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2022
- Dec 11, 2022 Keeping Time
- Jun 17, 2022 This Apple-Shaped Earth
- Jan 23, 2022 What is a Jizo?
- Jan 16, 2022 An Invite and Housekeeping Update
- Jan 1, 2022 The Year of the Frog: What Orchardists Do While Apple Trees are Chilling
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2021
- Oct 24, 2021 Figs
- Oct 3, 2021 The Artist and the Orchard: A Memoir
- Aug 8, 2021 Red-Fleshed Apples
- Jul 25, 2021 When We Were Trees
- Jun 27, 2021 Castor Beans—Who Knew?
- Jun 13, 2021 Spring Training at a Zen Monastery
- May 4, 2021 Our Trees are in Bloom
- Apr 18, 2021 Hooray!
- Jan 24, 2021 Wassailing, virtually!
- Jan 1, 2021 Sitting
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2020
- Dec 21, 2020 Darkness to Light
- Nov 28, 2020 One Heart
- Sep 18, 2020 Juggling Flowers, Fruit, and Vegetables
- Aug 23, 2020 Refuge
- Aug 9, 2020 Bags of Fertilizer
- Aug 2, 2020 The Sermon of the Blue Heron
- Jul 26, 2020 What's the Buzz?
- Jul 19, 2020 Farm Moments
- Jul 12, 2020 Lost Wax
- Jul 5, 2020 Catalpa: The Hugging Tree
- Jun 28, 2020 Pedaling Peace
- Jun 21, 2020 See Change
- Jun 14, 2020 Lalla Unveiled
- Jun 7, 2020 Pond Alchemy
- May 31, 2020 The Birth of Fruit
- May 24, 2020 An Artist in the Orchard
- May 17, 2020 Walking the Land: Returning Home
- May 10, 2020 Stinging Nettles: Gifts from the Great Mother
- May 3, 2020 The Mystery of Swallow
- Apr 26, 2020 Aerial Bruststrokes
- Apr 19, 2020 Simple Pleasures
- Apr 12, 2020 Weeds and Other Gifts
- Apr 5, 2020 Remembering the Seeds
- Mar 29, 2020 Blow on the Embers
- Mar 22, 2020 Ripples
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2019
- Nov 16, 2019 Tibet Impressions
- Nov 9, 2019 Forest Tales
- Oct 13, 2019 The Gift
- Aug 4, 2019 The Season is Apples, Berries, and Grandfather Fire
- Jun 8, 2019 Pointers for a Writing Life
- May 12, 2019 Mothers of the Earth
- Apr 6, 2019 The Apple-Shaped Earth
- Mar 23, 2019 You Don’t Know What You Have Till It’s Gone
- Feb 23, 2019 Generations
- Feb 9, 2019 What Are We Doing to the Earth, John Chapman?
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2018
- Dec 31, 2018 Long Shadows
- Oct 6, 2018 A Pilgrimage to India
- Aug 18, 2018 Scrap Wrenn
- Aug 11, 2018 Off-the-Wall Comments from an Ignorant Farmer
- Jul 28, 2018 Creative Connect
- Jul 14, 2018 How is the Orchard?
- Jun 30, 2018 Which Way?
- Jun 16, 2018 Geese, Herons, Beavers, and the Baby Steps of a Lapsed Blogger
- Feb 24, 2018 Mama's Coupons — Good Forever
- Jan 27, 2018 January Ice
- Jan 13, 2018 The Muse
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2017
- Dec 30, 2017 A Dream for the New Year
- Dec 23, 2017 A New Year for Apples
- Dec 16, 2017 Intuition
- Nov 22, 2017 Thanksgiving OM
- Nov 4, 2017 East Fork Pottery
- Oct 28, 2017 Putting Down New Roots
- Oct 21, 2017 A is for Art
- Oct 14, 2017 Eve domesticus
- Oct 7, 2017 A String Workshop
- Sep 30, 2017 After Applepicking
- Sep 23, 2017 Two Bad Women and One Good Apple
- Sep 16, 2017 Plein Air Poetry
- Sep 9, 2017 Cutting Off a Leg
- Sep 2, 2017 The Changing Landscape
- Aug 26, 2017 All About Art
- Aug 19, 2017 My First Visit to the Farm
- Aug 12, 2017 The First Food
- Aug 5, 2017 A Teapot, a Woman, and maybe a Boat
- Jul 29, 2017 A Raspberry Dilemma
- Jul 22, 2017 Consider the Miracle
- Jul 15, 2017 Meeting Ekphrasis
- Jul 8, 2017 Ripening Fruit
- Jul 1, 2017 The Voice of The Caterpillar
- Jun 24, 2017 Goumi — An Unusual Fructus
- Jun 17, 2017 Concord, an American Bloomsbury
- Jun 10, 2017 The World Is Bonkers — Shall I Laugh or Cry?
- Jun 3, 2017 Bonkers, a Revolutionary Apple
- May 27, 2017 Guardians of the Swamp
- May 20, 2017 There are Mushrooms and There are Morels
- May 13, 2017 "What's in a Name?"
- May 6, 2017 Bloom Follows Pink: Orchard Pollination
- Apr 29, 2017 The Orchard Is at Pink
- Apr 22, 2017 Natural Farming — Part 2 (continuation from last Sunday's blog)
- Apr 15, 2017 Natural Farming — Part 1
- Apr 8, 2017 Boats, Figures, and Catching Fish
- Apr 1, 2017 A Man with a Mission: The Nuts and Bolts of Bronze Casting
- Mar 25, 2017 A Chalice of Spirit, Art, and Nature
- Mar 18, 2017 Hanami — Blossom Viewing
- Mar 11, 2017 Soil Redemption Song
- Mar 4, 2017 Food is Primary Care
- Feb 25, 2017 Pomme de Terre
- Feb 18, 2017 Organic Certification
- Feb 11, 2017 Tantalizing Fruit
- Feb 4, 2017 The Myths of History
- Jan 28, 2017 The Orchard in Winter
- Jan 21, 2017 The Hi-Line
- Jan 14, 2017 Artistic, Botanical, and Social Diversity
- Jan 7, 2017 Where is Eden?
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2016
- Dec 31, 2016 The Creative Heart
- Dec 24, 2016 A Christmas Tale
- Dec 17, 2016 Who are the Crones?
- Dec 10, 2016 The Olympic Bell (Part Two)
- Dec 3, 2016 Overheard in the Apple Orchard in Early December
- Nov 26, 2016 The Lessons of a Tortoise
- Nov 19, 2016 In the Studio
- Nov 12, 2016 Even in Darkness
- Nov 5, 2016 Southern Apples, an Elephant, Monkey, Rabbit, and Bird, Two Mango Trees and a Birthday
- Oct 29, 2016 The Tools of Art
- Oct 22, 2016 Labyrinths
- Oct 15, 2016 Repairing the Broken
- Oct 8, 2016 When You Are No More
- Oct 1, 2016 Creation Rain
- Sep 24, 2016 Breaking the Glass
- Sep 17, 2016 String Art
- Sep 10, 2016 Poetry and Photosynthesis: It's all in the Leaves
- Sep 3, 2016 In the Plenty of Time
- Aug 27, 2016 Witch Doctors
- Aug 20, 2016 Listen Coyote
- Aug 13, 2016 Milkweed in the Orchard
- Aug 6, 2016 Some People See a Turtle
- Jul 30, 2016 Arborshaping
- Jul 23, 2016 Joseph Wheelwright: Sculptor of Stones and Trees
- Jul 16, 2016 Asian Pears
- Jul 9, 2016 Gold Leaf, Grief, and the Creative Process
- Jul 2, 2016 The Olympic Bell (Part One)
- Jun 25, 2016 Around the Mulberry Bush
- Jun 18, 2016 Avoiding Apples
- Jun 11, 2016 Fructus
- Jun 4, 2016 Astonishing Apples
- May 28, 2016 Scare the Caterpillars
- May 21, 2016 Join the Club!
- May 14, 2016 The Graft
- May 7, 2016 Rooster, Rhubarb, Rue
- Apr 30, 2016 What do Dolphins and Nettles Have in Common?
- Apr 23, 2016 Art Prunings
- Apr 16, 2016 A Few of the First Arrivals
- Apr 9, 2016 Taste the Spirit of Sustainable Agriculture
- Apr 2, 2016 First Orchard Spray - March 22-24, 2016
- Mar 26, 2016 Hawkeye Apple
- Mar 19, 2016 Desiring the Almata Apple
- Mar 12, 2016 Ugly Fruit
- Mar 5, 2016 Winter Tracks
- Feb 27, 2016 Splash
- Feb 20, 2016 Pruning
- Feb 13, 2016 Orchard Ruminants
- Feb 6, 2016 A Gathering of Seeds
- Jan 30, 2016 Orchard Dragons
- Jan 23, 2016 Tree Rings
- Jan 17, 2016 The Fallen Tree
- Jan 7, 2016 Wassailing the Apple Trees
- Jan 1, 2016 The New Year